THE ODYSSEY (2026) — CHRISTOPHER NOLAN GOES GREEK, AND FORGETS TO BRING THE MYTH
Christopher Nolan doesn’t do small. He shot an entire war epic on IMAX 70mm film, dragged an A-list ensemble across the Peloponnese, and slapped a $250 million budget on top of Homer’s 2,700-year-old poem. On paper, that’s the kind of ambition I want to see rewarded. In practice, The Odyssey is a film that looks…
SPIDER-MAN: BRAND NEW DAY (2026) — TOM HOLLAND FINALLY GETS TO BE SPIDER-MAN, AND JON BERNTHAL STEALS THE SHOW DOING IT
Four years after No Way Home erased Peter Parker from every memory but our own, Marvel and Sony hand Tom Holland the thing this trilogy always owed him: a Spider-Man movie where he’s actually alone. No mentor cameo bailing him out, no multiversal safety net. Just a broke, exhausted twenty-something swinging around New York with…
DHURANDHAR 1 & 2 (2025 – 2026) – ADITYA DHAR’S ACTION PACKED TAKE ON REAL EVENTS IS A GAME-CHANGING BLOCKBUSTER FOR BOLLYWOOD
Let us get one thing out of the way immediately. If you are one of those people who watched Dhurandhar and rushed to your keyboard to write a think-piece about “dangerous jingoism” and “propaganda” — congratulations. You have successfully confirmed that you know absolutely nothing about the 1999 IC-814 hijacking, the 2001 Indian Parliament attack,…
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Jayesh Iyer
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